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No time to fuck
February 02, 2010 09:33 AM PST

 
Open Work Space
February 02, 2010 09:27 AM PST

 
Circumstantial Propriety: Towards an Ethics for a Moving World
November 06, 2009 11:39 AM PST

 
What is joy?
October 27, 2009 12:10 PM PDT

 
Tuesday, November 25: Words, Images, Syntax
November 25, 2008 05:49 PM PST

We read Wim Wender's essay, Impossible Stories, and discuss the respective syntax of words and images.

Thursday, November 20: On "Percept, Affect, Concept"
November 24, 2008 10:05 AM PST

We discuss the chapter on art from Deleuze and Guattari's What is Philosophy? This is perhaps the best book to begin with for those interested in D&G: it is smart, lucid, nutty but has a coherent argument.

Thursday, November 6: On Marc Lafia's "Permutations"
November 07, 2008 08:33 AM PST

We look at, and discuss, the beauty and brilliance of Marc Lafia's multiscreen films, Permutations. You can see some of them here: http://www.marclafia.net/cinema_engine/

Tuesday, November 4: Cezanne, Merleau-Ponty, and the Miracle of Form
November 04, 2008 07:02 PM PST

An odd, complex discussion of the terms of the limit: the limit here is not a constraint, is not external but is the very terms of a thing, its difference.

Thursday, October 30: On Marc Lafia, Merleau-Ponty, and Cezanne
October 30, 2008 05:36 PM PDT

 
Tuesday, October 28: On Cassavetes' film, Faces
October 30, 2008 12:13 PM PDT

 
Thursday, October 23: Deleuze, Bacon, and Fighting Cliches
October 23, 2008 06:11 PM PDT

A continued discussion of Deleuze's Painting Before the Painting....and different strategies and tactics for fighting cliches.

Tuesday, October 21: Deleuze, Bacon, Cliche, pt 2
October 21, 2008 07:32 PM PDT

 
Tuesday, October 21: Deleuze, Bacon, Cliche, pt 1
October 21, 2008 07:23 PM PDT

We're reading the chapter entitled, The Painting Before Painting from Deleuze's book on Francis Bacon: The Logic of Sensation.

It's in 2 parts b/c I stopped the recorder.....

Thursday, October 2: Joyful Seeing and Bergson
October 02, 2008 04:34 PM PDT
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A brief, pithy discussion about why we're choosing to see the world this way. Why? you ask. Because it is joyful, affirmative of this life, healthy. And then we read the beginning of Bergson's Matter and Memory. And look at an image or two.

Tuesday, September 30: Beginning Bergson's Matter and Memory
September 30, 2008 08:11 PM PDT
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Proffering the very odd relationship between the material and the affective.

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